work cited the source I upload, and according to the prompt, give me an outline and first paragraph.
Analyze and interpret two relationships of patronage in no fewer than two (2) films we have screened (for example, Rembrandt, The Agony and the Ecstasy, Girl with a Pearl Earring, Prince of Foxes). Who is the artist, who is the patron, and to what end is the art being produced? (For the ambitious: What do the relations of patronage in the films suggest that the screenwriter or director might be saying about the audience of the films?)
Two movie I choose, The Agony and the Ecstasy, Girl with a Pearl Earring